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20 May 2013
Vol. III, No. 150

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“Why I Never Learned to Knit,” By  Anita Sullivan

The enveloping medium of fabric: swathes the author navigated and resisted.

The enveloping medium of fabric: swathes the author navigated and resisted.

EUGENE Oregon—(Weekly Hubris)—5/20/2013—I’m listening to Grigory Sokolov play Bach’s “Art of the Fugue,” which is like being present at the Dawn of the World and, for some reason, I think about how I always wanted to learn to knit, and never did.

These two things must be related; otherwise why would such a thought come into my mind?

The music is made of glass, it catches in my throat today because of all the things it is not: it is not plastic, it is not greedy, it does not want me to give it any money—the word is gratuitous. And I am so relieved that I sag back into the pillows on the sofa and cry. The grooves in my soul from this piece that I’ve listened to about 25 times in the past year, demand to be let out of their cages (I know, grooves can’t be in cages). Anyway, various metallic bars around the area of my stomach and lungs begin to loosen up. With some people, that takes alcohol. For me, it just takes a little Bach in the early evening, well played.

For one thing, it’s so wonderful to listen to something unabashedly complex again, after being clubbed on the head with the daily twigs and sodden noodles of mildly ugly, innocently simple stupidity. Here is the work of a fellow human being who drank and ate and breathed by deliberate choice from the coffers of the most ethereal and finely magnificent that the universe could possibly permit, and who then turned around and doled it out gratuitously—to us. To all of us. (Click to read post . . .)

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Elizabeth Boleman-Herring
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