Hubris

Bloody January Again

The Highest Cauldron

by Anita Sullivan

Anita SullivanEUGENE Oregon—(Weekly Hubris)—1/16/11—January is the month for two things: Getting Organized (because once the year gets really cranked up, you won’t have another chance), and Obsessing (because it’s dark and wet and cold outside).

Which brings me to a dialogue I’ve been having with the past several Januaries, about my mother’s ashes. This year’s January voice takes on an ominous monotone as it says: You promised you would scatter them over the Blue Ridge Mountains, which she loved so much. It’s been FIVE YEARS, Dearie; what are you waiting for?

I know, I know. But I live in Oregon—in western Oregon. I don’t have the money, I’m tired, the world situation is getting me down . . . responsibilities, husband’s health problems . . . .

The voice continues (in a Brooklyn accent this time): Blah, blah, blah! You keep procrastinating, Dearie and, guess what, your kids will end up just having to dump your ashes in with hers and scatter them together. Is that where you want to end up, back in South Carolina again? (A smug silence ensues).

What kind of logic can you expect from a month?

But no, I don’t particularly want my remains, shabby and inconsequential though they will be, to be carried back to a place I no longer belong. Although I don’t belong here, either, and there’s the rub.

I’m a creature of the High Desert. When I was 12 and my parents drove with four kids from Southern California to Clemson, South Carolina for my father’s new job at the university there, I left a good chunk of my soul under a rock somewhere in New Mexico, facing the Sangre de Cristos at sunset.

Many years later I went back and dug it up again, and we were briefly re-united. Then I lost other pieces in various parts of Greece, too numerous to catalogue, and they remain there still.

Do souls grow back again? Secretly, I believe they do, but not the same as before. So it’s risky to go scattering bits of your own here and there with complete abandon.

One way of looking at it is that every place you live kills you little by little, but the “you” part changes. Here in Western Oregon, where I’ve been happily dwelling for 30 years, I’m sure that important aspects of my “self” have gradually atrophied for lack of stimulation—or, more likely, leached away in the winter rain, leaving less and less every year.  All the more reason you should have moved back and looked after your mother in her old age (says a familiar voice). The winters are much nicer . . . .

But she never asked me to. Whenever I would call her up in the nursing home those last couple of years and ask “How are you, Mom?” she would say “Oh, I’m free-spiriting right along!” This was from a woman with almost no memory, who barely recognized my brother and me and my two sons when we visited, who danced regularly with the delighted nurses in the carpeted hallways while humming Hungarian folk melodies, but who never asked or expected anybody to take care of her.

Me, all my life I’ve wanted to live in a village near the sky-eating mountains, in an adobe house with many rooms, with enormous windows letting in the light. All the people I love best in the world would be alive and well, and would live in the village, too, and we would meet for coffee, wine or dinner and carry on long conversations into the wee hours. This would be in a place rather like Greece, rather like New Mexico, rather like western Oregon, and even somewhat like western South Carolina, but not quite any of these.

Right now, though, in January—while working out the details of my ideal village again—I’m trying to talk my mother into letting me scatter her ashes right here in the Coast Range, not too far from the Pacific Ocean, a place she never saw in her lifetime. It might be just rationalizing, but I have a feeling, despite what January might say, that she’d regard the prospect as high adventure.

"Mountains at Smith Rock State Park, Central Oregon" (Photo by Anita Sullivan)
"Mountains at Smith Rock State Park, Central Oregon" (Photo by Anita Sullivan)

Born under the sign of Libra, Anita Sullivan cheerfully admits to a life governed by issues of balance and harmony. This likely led to her 25-year career as a piano tuner, as well as her love of birds (Libra is an air sign), and love of gardening, music, and fine literature (beauty). She spent years trying to decide if she was a piano tuner who wrote poetry, or a poet who tuned pianos. She traveled a lot without giving way to a strong urge to become a nomad; taught without becoming a teacher; danced without becoming a dancer; and fell totally in love with the high desert country of the Southwest, and then never managed to stay there. However, Sullivan did firmly settle the writing question—yes, it turns out she is a writer, but not fixed upon any one category. She has published four essay collections, a novel, two chapbooks and one full-length book of poetry, and many short pieces in journals. Most recently, her essay collection The Rhythm Of It: Poetry’s Hidden Dance, indulges her instinct to regard contemporary free-verse poetry as being built upon natural proportional rhythm patterns exhibited in music and geography, and therefore quite ancient and disciplined—not particularly “free” at all. This book was a finalist for the Montaigne Medal from the Eric Hoffer Book Award. More about her books can be found on her website: www.anitasullivan.org. The poet-piano-tuner-etc. also maintains an occasional blog, “The Poet’s Petard,” which may be accessed here here. (Author Head Shot Augment: René Laanen.)

5 Comments

  • diana

    Loved it. I like every word and every thought that comes from your mind, pen, fingertips, imagination. Wish you were a bit closer, on a Greek island perhaps so that we could talk.

  • Anita Sullivan

    Malista! (or do they use that word any more in Greece?) Thanks for being
    such a noticing person. But that goes for all the WH writers from what I have
    seen. I do want to return to Greece, and maybe it will happen if my book ‘Ikaria’ actually gets published in Greek. Then we could even meet on Ikaria (although
    I love Patmos just as much. . . .and want to try many others as well).

  • Ted Michael Morgan

    When I lived in Oregon, I did not own much, though I thought that I did. I did not have to organize what I had during the winter. Linda had her vinyl recordings and I had my books.

    I do recall the early dark, the thin rain, and sometimes snowy bleakness, but usually what I enjoyed were many places to enjoy movies and a few restaurants with crawfish shipped from Louisiana and an abundance of fresh vegetables shipped from California.

    The wine industry was then only nascent but one dreamed it would flourish as it eventually did. One looked forward to the coming harvests of vegetable, pole berries, and fruits as well as the seafood that seem to come year round. Horst and Mike competed with restaurant ideas that did yield at last.

    We had several good movie houses and even a museum series that made it possible seeing several films a week. The weather almost always allowed long walks if one did not mind a bit of dampness. When finally bought a car, we drove east into dry weather. Bend had powder snow and swimming pools in the dead of winter with saunas. The drive west was toward the coast and endless magic.

    You live where I wanted to live and I envy you. I left to live in New Orleans and all of its magic, pain, and life. Thanks for the memory.

  • Ted Michael Morgan

    I never understood why anyone shipped crawfish from Oregon because the local crawfish were splendid.

  • Anita Sullivan

    Ted — I can’t speak about Oregon crawfish, but I am so grateful for the fresh seafood that’s available here year round, and it’s local. I just wish we all had
    500 years to live, because then we could spend 20 years each in most of the top
    spots of our choice. Make a list and dream, but meanwhile enjoy the particular magic and pain of New Orleans. The magic is really top notch there, so I understand!