Hubris

The Trials of Job in the Garden

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“Myth and experience teach us that hubristic defiance of the cosmos inevitably leads to disaster.”—William A. Balk, Jr.

Epicurus’ Porch

By William A. Balk, Jr

Pileated Woodpecker chicks in the nest.
Pileated Woodpecker chicks in the nest.

William A. Balk, Jr.ELKO South Carolina—(Weekly Hubris)—7/6/2015—In the windbreak of pine trees planted 30 years ago to slow winter’s westerly winds upon the camellia garden and that side of the house, one of the trees, now some 60 feet high, had succumbed to age or disease.

The snag—bare of bark from the voracious work of resident pileated woodpeckers, flickers, and red-cockaded woodpeckers, porous with holes for nests of birds and mammals—the snag had fallen silently in the night and lay segmented, stretched across a swathe of lawn and up a low rise marking the camellia garden’s edge.

The topmost ten feet, still some eight inches thick, had fallen squarely across one of my father’s unnamed seedling camellias, a “rescue” from one of the old family cemeteries which dot every farmstead in this area of South Carolina. Unlike most such foundlings, this plant had exquisite form, growing quite low and wide, beautifully rounded. Its bloom, instead of the usual single row of petals, was richly double and in a fine, pleasing rose color.

It now stood shorn of its lovely symmetry, smashed to a jumble of broken branches beneath the fallen pine log. I was crestfallen.

Shortly before that, winter had finally relented, it seemed, and the pear trees were starting their bloom, many bulbs were emerging, and the tender plants that I keep under cover for the winter had been put out to soak up warm air and sunshine. I returned from an overnight stay away for a garden conference to find a rogue cold snap had inflicted substantial damage to almost anything with new growth, and particularly to the tender plants just now exposed. Most would recover, but one beloved plant—a large and handsome Nun’s Orchid, Phaius tankervilliae—was completely blackened to the crown.

This orchid had already, a year before, been killed to the ground by a freeze. I considered it a miracle that some new shoots had emerged last summer from the roots to grow into a substantial, if vulnerable, plant. It had special meaning, since it had been an extravagant gift from my dear friend Anne. Now it was gone. There’s only so much an orchid can take. Me, too.

Having recognized ages ago the limitations even our expansive enclosed porches can provide for winter plant protection (some people collect LP record albums; I seem to accumulate plants too delicate for exposure to the real world), I had designed and constructed from many different materials a quite large (to me) greenhouse.

I was pleased with its somewhat reasonable cost, its location next to my 14 X 30 potting shed, and its utility. It was sited so that the deciduous trees nearby would allow glorious sunlight all winter, but the summer’s leafy shade would protect many plants from overheating and sunburn. Perfect.

We had weeks of incessant early spring rains this year. In one of those weeks of rain, one of the protecting deciduous trees, an old wild cherry, a species notorious for rotting from within, fell atop the greenhouse, collapsing the entire structure. In this case, no plants suffered damage, but the greenhouse now is a twisted shambles. Coming upon the sight the next morning, I was heartsick.

Live Oak tunnel.
Live Oak tunnel.

The old farmhouse has a long curved driveway to bring visitors from the public road to the house. This driveway replaces the original entrance drive which brought travelers a mile down the road straight to the columned front porch. Once the public road was extended, however, it was made to veer around the property, and a different access point was required.

The entrance now is through a small grove of century-old white oaks. The exit, about a quarter mile farther down the road, is flanked by a Magnolia grandiflora at the roadside. A tunnel of overhanging live oaks, still relatively young, takes the departing visitor to the exit. A small colony of native azalea, Rhododendron catawbiense, beneath a towering old pine, a large native holly, Ilex opaca, and several smaller trees denote this exit.

A long hard search led me to a source for a small (not so small as to be affordable, but I was on a mission) white-blooming clone of the native redbud, Cercis canadensis. I carefully planted the foot-tall specimen where its impact, once it grew, could be appreciated by the passing driver as well as our departing visitors and by viewers from our back porches. Only weeks after it had sprouted its first spring leaves, I found it had been nibbled to oblivion by foraging deer. My head ached.

I had meant well when I planted a small Cherokee Rose (Rosa laevigata) beneath the tall old windmill which once supplied the power to draw water from a deep well. It is a tall, steel-framed structure topped by the still-turning, creaking fan, and it seemed ideal to support the beautiful white-blooming climbing rose.

It took only a few years’ growth for me to realize my error: Cherokee rose will completely cover anything, no matter how high, with viciously-thorned canes, some an inch thick and 30 feet long. It had become a trap designed to ensnare anyone passing by, and any attempt to trim its exuberant growth will be a blood bath. Each spring’s bloom evokes my dread of the severe trimming I must do.

Every calamity possible sometimes descends at once upon a poor soul, heaping disaster and despair on top of worry and woe. Railing against the whims of the gods, however, remains as futile in this world as it has for millennia. Myth and experience teach us that hubristic defiance of the cosmos inevitably leads to disaster.

Farmers and gardeners already know this, and perhaps it is universal knowledge gained by anyone who, by dint of labor and humility, must face the discovery that his meager efforts—seeming mighty and grand—are as insubstantial as an eider’s fluff blown from the nest.

For this gardener, at least, the list of mounting horrors I’ve had to face begin to embarrass me, once I compare my own woeful complaints to the cries of those who truly suffer or to the disaster my species seems about to complete upon the Earth. It is petty arrogance, not great hubris, to pretend I have any particular understanding of nurturing a garden in my care through Nature’s turns. I long ago conceded—had no choice but to concede—Nature’s supremacy in that little matter. 

They are embarrassing, now that I begin to list all these events in my mind and on paper. They wreak havoc with my need for some kind of order, however ephemeral, in the garden, in the world. And order, it seems, is fleeting.

Failure, loss, stupidity, anguish—it all accumulates in the soul. The earnest farmer, the conscientious gardener, begins to feel the weight of the world bearing down on him.

And then—now—we learn that our dear brother Erwin incomprehensibly has died.

Without instructions or guidelines from him, the family has decided that his ashes will rest on the farm, strewn on the hillside we have always called Erwin’s Hill. It is a rather steep wooded slope, down to Turkey Creek (which  travels some hundred miles from its source here to join the Atlantic Ocean). The hillside, and its matching slope across the creek, is covered under the tall trees in springtime with hundreds of those pink, fragrant native azaleas (Rhododendron catawbiense), often ten or twelve feet high, and dozens of the native dogwood, Cornus florida.

Along the creek at the bottom, the banks are spottily lined with Kalmia latifolia, a population growing unusually south of its usual range, and the magnificent fringe tree, Chionanthus virginicus. Here and there, bursting through the rich leaf mould covering the ground, are swathes of trilliums, jack-in-the-pulpit (Arisaema triphyllum), and the crane-fly orchid (Tipularia discolor).

Dogwoods in bloom.
Dogwoods in bloom.

Such is our plan, this ashes-to-ashes, earth-to-earth gesture, and it may bring comfort to Erwin’s 92-year-old mother and to us, his four siblings.

It is odd—well, at the moment, it seems odd to me—that in the face of grievous calamity, welcome solace might come from the mere hillside and its utterly natural and unattended accommodation of exactly those forces which had seemed—before facing my brother’s death—to cause me such despair as a gardener.

The same cold, heat, drought, flooding rains; the same deadfall in the forest; the same rampant growth of some too vigorous vine—all of it had me furious at the infliction of disaster upon my poor efforts as a gardener. Yet, here on this hillside, those forces had produced a landscape of such beauty, of such exquisite perfection, that only joy could come from experiencing it.

That joy, that beauty, is what made Erwin love that spot with such faithfulness. He’ll be forever a literal part of it now.

Even Job, we are told, found understanding and acceptance through his trials. My trials are minor compared to his, and even to Erwin’s. A little of that capacity for understanding and acceptance might someday find me as well.

Note: The first image above is by Pwieland (CC BY-SA 3.0) and derives from http://creativecommons.org/licenses/by-sa/3.0), via Wikimedia Commons; the second photo was taken by the author; Image 3 derives from Wikimedia Commons: http://www.ForestWander.com.

Born and reared in the Coastal Plain of South Carolina, William A. Balk, Jr. was educated at the state’s namesake university, became an activist confronting the power of the modern State and its military, and spent two years in a radical gay commune in the nation’s capital. He has taught textile construction and design for the Smithsonian and Textile Museum in Washington, collected modern porcelain masters, and has submitted to a peculiar affinity for independent book stores. Balk returned to the South Carolina Low Country in middle age, as well as to his extended family, and a literary life lived largely out of doors. Book stores and gardening remain his perennial passions, as does writing. He has been a regular columnist for “The Lowcountry Weekly” newspaper for seven years; he is included in the award-winning book, Our Prince of Scribes: Writers Remember Pat Conroy. He has assumed several new roles in recent years, including caregiver for his near-centenarian mother, advisor to the Pat Conroy Literary Center, and member of the Board of Directors for South Carolina Humanities. Like one of his heroes, Epicurus, whose philosophical school was called “The Garden,” Balk’s aim has long been “to attain a happy, tranquil life, characterized by ataraxia—peace and freedom from fear—and aponia—the absence of pain—and by living a self-sufficient life surrounded by friends.” (Author Head Shot Augment: René Laanen.)

6 Comments

  • Ginger Berglund

    Loved your words for describing such beauty. Inside and out, story of seen and unseen, familial and plants entwined. Many thanks from a desert gardener.

  • Will Balk, Jr.

    Thank you, Ginger Berglund….as a gardener, I am in awe of the challenges you face as a desert gardener!

  • Danny M Reed

    I could feel each of your successive losses, including the loss of your brother, and how beautifully even this greatest of losses became part of the whole again as his ashes were spread at the farm in a place so intimately his own. I have had such experiences, like yourself and Job, and spread the ashes of first uncles, cousins, my mother and father at our own farm so that I am quite comfortable with the thought that someday I will join them all as well some day. Still, I will be disappointed that life should be interrupted again for a time so that new life may appear and grow.

  • Will Balk, Jr.

    Danny M Reed, I’m touched and humbled by your sympathetic understanding of the little essay. Thank you. And I am honored you took a moment to say something here; in fact, just today I had made note of your name in several threads on EBH’s Facebook posts. It’s good to meet you!

  • Jane Balk Ferko

    Will, words fail me to speak to the beauty, depth, emotions and passion expressed in this article. It is a testament to another of your special talents besides that of gardening – that of the use of words in such a glorious way.
    Love always,
    Jane

  • Will B

    Thank you, Jane. That was a time of disappointment and distress, and it’s hard sometimes to come to grips with those feelings and with their causes. Many, many people have even greater reasons for such feelings at this moment, as unimaginable destruction is visited on entire nations. I don’t know if there is any way out of being overwhelmed, but, for me, writing sometimes helps me put a little structure, a little order, onto all the chaos. Weekly Hubris has kindly let me do that in a more or less public way, and it touches me deeply to learn that there are occasionally others who find these searching words of mine to be comforting or encouraging or useful. So thank you for your own encouragement.