Hubris

Pandemic Pastrami

Ross Konikoff Weekly Hubris top banner 2018.

“I stood at the register, waving a crisp double sawbuck around like Legs Diamond, finally gaining the attention of a pretty young thing who, hypnotized by my air of self-assured panache, ran over, all smiles and said, through the thick plexi, through her thick mask, through her thick Brooklyn accent, ‘What’ll it be Mister?’ ‘I’ll have one pound of your finest, thick-sliced pastrami to take out. And not from the end.’ I admonished her. She said, ‘Yessir, that’ll be $38.50.’Ross Konikoff

West Side Stories

 By Ross Konikoff

Pastrami!
Pastrami! (Photo: Vicky Wasik.)

Ross Konikoff

MANHATTAN New York—(Weekly Hubris)—February 2021—Yesterday while walking east on 72nd Street, between Broadway and Columbus Avenue, I passed by a deli I had recently read about, a joint called the Pastrami Queen. My tendency to easily get sentimental over practically anything these days kicked in and, as a result, one particular childhood memory flooded my senses, that of those glorious Sundays back in 1950s Buffalo when my dad would take us all to Ralph’s Kosher Restaurant for hot, juicy, fatty pastrami sandwiches on warm rye bread with sharp mustard.

Then, suddenly, it dawned on me that this might have been somebody else’s childhood memory, and somebody else’s dad, but regardless, I considered it serendipitous that I should inadvertently walk right past it, after having read such sterling reviews. I simply had no choice but to take some home and decide for myself.

I stood at the register, waving a crisp double sawbuck around like Legs Diamond, finally gaining the attention of a pretty young thing who, hypnotized by my air of self-assured panache, ran over, all smiles and said, through the thick plexi, through her thick mask, through her thick Brooklyn accent, “What’ll it be Mister?”

“I’ll have one pound of your finest, thick-sliced pastrami to take out. And not from the end.” I admonished her.

She said, “Yessir, that’ll be $38.50.”

I looked at the bill I had been waving around, mumbling something about mistakenly thinking I had been holding two of them, and, feigning disregard for the astronomical price by assuming the carefree look of someone waiting for his 40-million-dollar lottery check to arrive in the mail any day now, but failing miserably at it, I said, “Better make it a half pound. I’m not so hungry anyway after last night’s feast at my Medal of Honor memorialization.”

Her smirk was worth a thousand words (each word mangled by her thick Brooklyn accent.) She rang me up, making what I considered an undue effort to belittle me, handing back my 75 cents change in the form of dimes and nickels, slowly, one by one.

I waited the two minutes as my order was severed, checking my watch every ten seconds in an effort to look late for something, until the cashier and I simultaneously noticed I wasn’t wearing one. Just then, my order was handed to me and I high-tailed it out the door.

All the way home I picked at it, stuffing pinches into my mouth like Yogi Berra in the Yankees’ dugout, jamming chaws of Skoal into his muzzle between innings. My surgical mask, having been pushed aside, was now practically dripping with grease, drawing stares of rebuke (owing to its misalignment), and scowls of disgust from others whose deeply ingrained table manners left them sputtering in disapproval.

As humiliating as all that may seem, after savoring the hot, fatty, juicy pastrami all the way back, I arrived home in a rare state of culinary rapture, ready for a nice afternoon nap. 

So tell me, is that the end of a perfect day or what?”

Ross Konikoff, freelance New York City trumpet player, states he is delighted and honored to have his work put before the highly discriminating readers of Weekly Hubris, published and edited by his friend and mentor, Elizabeth Boleman-Herring. Konikoff was born in Buffalo, New York, a cold environment; surrounded by desperate people, out of work, out of money, and out of opportunity. And that was just in his house. Determined to pull himself up by his mute straps, Ross quickly ascended from his first job as a seven-year-old paperboy to his second job as an eight-year-old paperboy. Eventually, he taught himself how to play the trumpet and learned many songs; managed to make something of himself; and accumulated a Manhattan condo, a trophy wife, and a phalanx of deadbeat friends along the way. The trumpet requires hours of daily maintenance to stay in tip-top shape, but Ross’s desire to write things that make people laugh also requires hours of work. Splitting his time between his lips and his laptop, he humbly presents to you his first efforts at getting some laughs and, most importantly, some attention: Breaking Even Every Time; and You've Got To Be Carefully Taut. (Banner image: Ross Konikoff on trumpet, far right, with Buddy Rich.) (Author Head Shot Augment: René Laanen.)

4 Comments

  • Jean

    Ross, as usual, you leave me giggling, and also missing a city; my city, your city, any real city, functional public transportation, big libraries, and people crowding the sidewalks. But, now, I am craving corned beef on rye,, in the worst way. Thank you. I guess. Hungry…

  • Michael pratter

    I’m from Buffalo and a pastrami addict. Weiss’s here sells it for $18.95 a lb and good but and not as good as Langer’s in LA the best so far and will try Pastrami Queen and 2 ave deli in my quest for the best. Nothing beats the stage in the 1950 in NY..but that’s only a memory.

  • Ross Konikoff

    Michael, The Stage, The Carnegie, and now Patrami Queen! Keeping arteries clogged since 1950!